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                <text>Agricultura sostenible</text>
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                <text>Dominio científico: Agricultura sostenible</text>
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              <text>El concepto de límite en el B-Mu de François Roche</text>
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              <text>Eugenio Pandolfini</text>
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              <text>&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Resumen&amp;lt;/strong&amp;gt;&amp;lt;/p&amp;gt;&amp;lt;p&amp;gt;Algunos proyectos, como el Dusty relief/B‐mu (2002) de Fran&amp;amp;ccedil;ois Roche demuestran como edificios complejos, que toman distancia desde los modelos mecanicistas para referirse a nuevos paradigmas, se pueden interpretar y comprenderse&amp;amp;nbsp; mejor gracias a un an&amp;amp;aacute;lisis perceptivo que acerca el proyecto de arquitectura a cuestiones como la relaci&amp;amp;oacute;n psicol&amp;amp;oacute;gica del hombre con la arquitectura, el miedo al espacio, y las&amp;amp;nbsp; patolog&amp;amp;iacute;as&amp;amp;nbsp; vinculadas a la percepci&amp;amp;oacute;n y a las neurosis modernas.&amp;lt;br /&amp;gt;En este caso, aparte de las repercusiones que la fachada de&amp;amp;nbsp; polvo podr&amp;amp;iacute;a tener en el &amp;amp;aacute;mbito de la ecolog&amp;amp;iacute;a urbana, es interesante analizar algunos aspectos ligados a la dicotom&amp;amp;iacute;a&amp;amp;nbsp; entre forma externa y vol&amp;amp;uacute;menes internos para la que Fran&amp;amp;ccedil;ois Roche cita como referencia el raumplan de Adolf Loos, pero que presenta motivos para una reflexi&amp;amp;oacute;n vinculada a los aspectos&amp;amp;nbsp; perceptivos.&amp;lt;br /&amp;gt;El art&amp;amp;iacute;culo trata de analizar como Fran&amp;amp;ccedil;ois Roche proyecta sus edificios extremando la dicotom&amp;amp;iacute;a entre interior/visual y&amp;amp;nbsp; exterior/t&amp;amp;aacute;ctil, desarrollando as&amp;amp;iacute; una nueva relaci&amp;amp;oacute;n con el lugar. Roche dise&amp;amp;ntilde;a la fachada exterior del B‐mu autoimponi&amp;amp;eacute;ndose&amp;amp;nbsp; una limitaci&amp;amp;oacute;n del sentido de la vista, a favor de una dimensi&amp;amp;oacute;n h&amp;amp;aacute;ptica del proyecto y lo hace envolviendo los &amp;amp;aacute;mbitos arquitect&amp;amp;oacute;nicos m&amp;amp;aacute;s familiares de una interfaz abstracta y t&amp;amp;aacute;ctil.&amp;lt;strong&amp;gt; &amp;lt;/strong&amp;gt;&amp;lt;/p&amp;gt;&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Palabras clave&amp;lt;/strong&amp;gt;&amp;lt;/p&amp;gt;&amp;lt;p&amp;gt;edificio, percepci&amp;amp;oacute;n, entorno, envolvente, l&amp;amp;iacute;mite&amp;lt;strong&amp;gt;&amp;lt;/strong&amp;gt;&amp;lt;/p&amp;gt;&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Abstract&amp;lt;/strong&amp;gt;&amp;lt;/p&amp;gt;&amp;lt;p&amp;gt;Some projects such as Dusty relief/B‐mu (2002) by Fran&amp;amp;ccedil;ois&amp;amp;nbsp; Roche demonstrate how complex buildings, which distance themselves from the mechanicist models in order to refer&amp;amp;nbsp; themselves to new paradigms, can be better understood and interpreted thanks to a perceptive analysis.&amp;lt;br /&amp;gt;This analysis brings the architectural project closer to matters&amp;amp;nbsp; such as man&amp;amp;rsquo;s psychological relationship to Architecture, the fear of space, and the pathologies linked to perception and modern neuroses.&amp;lt;br /&amp;gt;In this case, aside from the repercussions that the dust facade could have within the realm of urban ecology, it is interesting to analyze some of the aspects related to the dichotomy between external form and internal volumes for which Fran&amp;amp;ccedil;ois Roche cites Adolf Loos&amp;amp;rsquo; raumplan as a reference, but that provides additional motives for reflection regarding perception.&amp;lt;br /&amp;gt;This article tries to analyze how Fran&amp;amp;ccedil;ois Roche designs his&amp;amp;nbsp; buildings paying extreme attention to the dichotomy between interior/visual and exterior/tactile, developing a new relationship&amp;lt;br /&amp;gt;with the project site as a result. Roche self‐imposes a limitation to the sense of sight when he designs the exterior facade of the B‐mu, in favor of the haptic dimension of the project. He does this by enveloping the most familiar architectural domains with an abstract and textile interface.&amp;lt;/p&amp;gt;&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Key words&amp;lt;/strong&amp;gt;&amp;lt;/p&amp;gt;&amp;lt;p&amp;gt;building, perception, environment, housing, limit&amp;lt;/p&amp;gt;</text>
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              <text>2012</text>
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              <text>Cuadernos de Proyectos Arquitectónicos</text>
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              <text>Universidad Politécnica de Madrid</text>
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              <text>Architecture, Fine Arts</text>
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              <text>&lt;a href="http://polired.upm.es/index.php/proyectos_arquitectonicos/article/view/1960" target="_blank" rel="noreferrer noopener"&gt;http://polired.upm.es/index.php/proyectos_arquitectonicos/article/view/1960&lt;/a&gt;</text>
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