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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Agricultura sostenible</text>
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            <description>An account of the resource</description>
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                <text>Dominio científico: Agricultura sostenible</text>
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    <name>Text</name>
    <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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        <element elementId="50">
          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>Lixo da História e Quien anda ahí: periferia e pós-autonomia em quadrinhos</text>
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          <name>Creator</name>
          <description>An entity primarily responsible for making the resource</description>
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              <text>Wanderlan Alves, Josivânia da Cruz Vilela</text>
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          <name>Description</name>
          <description>An account of the resource</description>
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              <text>Resumo: Nos últimos anos, a temática da periferia vem ganhando visibilidade na produção de quadrinistas latino-americanos/as que se preocupam em refletir sobre a sociedade e suas margens, representando e problematizando as relações de agenciamento entre indivíduos (DELEUZE; GUATARRI, 2000) ocupantes de espaços geográficos diferentes. No presente artigo, temos por objetivo analisar tiras que compõem as séries Lixo da história (2013), do quadrinista brasileiro Arnaldo Angeli Filho, e Quién anda ahí (2012), do quadrinista argentino Joaquín Salvador Lavado, para discutir as imagens da periferia e sua representação, num processo de intercâmbio de subjetividades do qual emergem multiplicidades e potências do periférico. Para tanto, servem-nos de aporte teórico os/as estudiosos/as Deleuze e Guatarri (2000), no que concerne à configuração rizomática dos artefatos literários produzidos na arte contemporânea, e aos agenciamentos entre os (não) sujeitos, Laddaga (2006), no tocante à ideia de uma ecologia cultural artística, e Ludmer (2007), sobre a noção de pós-autonomia.     Abstract: In the last years, periphery has obtained visibility as a theme in the work of Latin American comics writers who carry on a reflection about society and its suburbs, representing and questioning the relations of agency among individuals (DELEUZE; GUATARRI, 2000) who occupy different geographical spaces. In this article, we aim at analyzing some comics that integrates the series Lixo da história (2013), by the Brazilian comic artist Arnaldo Angeli Filho, and Quién anda ahí (2012), by the Argentinian comic artist Joaquín Salvador Lavado, to discuss about the images of periphery and their representations, into a process of exchange of subjectivities from which multiplicities and powers of peripheral universe emerge. For that, we appeal to the approach of Deleuze e Guatarri (2000) in relation to the notion of rhizome and its configurations in contemporary literary works beyond the agencies among (no-)subjets, of Laddaga (2006) about the concept of cultural artistic ecology, and Ludmer’s (2007) notion of post-autonomy.     Resumen: En los últimos años la temática de la periferia ha cobrado visibilidad en la producción de comics latinoamericanos preocupados por la reflexión sobre la sociedad y sus márgenes, representando y discutiendo las relaciones de agencia entre los individuos (DELEUZE; GUATARRI, 2000) que ocupan espacios geográficos diversos. En este artículo buscamos analizar láminas que forman parte de las series Lixo da história (2013) del brasileño Arnaldo Angeli Filho, y Quién anda por ahí (2012) del argentino Joaquín Salvador Lavado, para reflexionar sobre las imágenes de la periferia y su representación en un proceso de intercambio de subjetividades del que emergen multiplicidades y potencias de lo periférico. Para ello, nos valemos del aporte de Deleuze y Guatarri (2000) en relación al concepto de rizoma y sus configuraciones en el arte contemporáneo, además de las agencias entre los (no-)sujetos, de Laddaga (2006) en cuanto a la idea de ecología cultural artística, y de Ludmer (2007) con respecto a la noción de posautonomía.</text>
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          <name>Date</name>
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              <text>2020</text>
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          <name>Subject</name>
          <description>The topic of the resource</description>
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              <text>Arnaldo Angeli Filho, Joaquín Salvador Lavado, Periferia, Pós-autonomia, Quadrinhos</text>
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          <name>Source</name>
          <description>A related resource from which the described resource is derived</description>
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              <text>Sociopoética</text>
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          <name>Publisher</name>
          <description>An entity responsible for making the resource available</description>
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            <elementText elementTextId="186873">
              <text>Universidade Estadual da Paraíba</text>
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          <name>Coverage</name>
          <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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            <elementText elementTextId="186874">
              <text>French literature - Italian literature - Spanish literature - Portuguese literature, Romanic languages</text>
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          <name>Relation</name>
          <description>A related resource</description>
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            <elementText elementTextId="186875">
              <text>&lt;a href="http://novo.revista.uepb.edu.br/SOCIOPOETICA/article/view/264" target="_blank" rel="noreferrer noopener"&gt;http://novo.revista.uepb.edu.br/SOCIOPOETICA/article/view/264&lt;/a&gt;</text>
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